Author's Corner

In Contemporary Photography in France author Olga Smith explores the history of photography in France from the 1970s to the present day and sets photographic practices in contemporary art, documentary, photojournalism, and fashion in dialogue with French philosophy.

In Absent Presences in the Colonial Archive Irene Hilden examines sound objects and listening practices that render the coloniality of knowledge fragile and inconsistent, revealing the absent presences of colonial subjects who are given little or no place in established national narratives and collective memories.

Urban Andes marks the start of the new series LAP on innovative design research in architecture, urbanism, and landscape.

Aufstieg und Fall der Stadt Mahagonny is een van de weerspannigste opera’s van de 20ste eeuw. Het stuk haalt vlijmscherp uit naar de uitwassen van het kapitalisme, op een manier die ook vandaag nog pijn doet.

Few western musical repertories speak more to the imagination than the Requiem mass for the dead. The Book of Requiems presents in-depth essays on the most important works in this tradition, from the origins of the genre up to the present day.

In The Sound of Architecture editors Angeliki Sioli and Elisavet Kiourtsoglou demonstrate that sound is a tangible element in the design and staging of atmospheres and that it should become a central part of the spatial explorations of architects, designers, and urban planners.

‘Leaving Spain’ is based on 58 autobiographical narrative interviews with recent Spanish migrants who went to the UK and Germany, and sometimes returned. "Their stories are stories of vulnerability, but also of human resilience and finding creative solutions in times of adversity", explains Mê-Linh Riemann.

Meticulously connecting objects, people and domestic spaces, At Home in Renaissance Bruges introduces the reader to the rich material world of Bruges citizens in the Renaissance, their sensory engagement, their religious practice, the daily activities of men and women, and other social factors. “I was often moved by the 'little stories', which suddenly turned my research population into people of flesh and blood”, says author Julie De Groot.

The art world is a multi-billion-dollar industry which captures world headlines on a regular basis, for both good and bad reasons. When Art Isn’t Real deals with one of the most-discussed areas of controversy: high-profile objects that have experts arguing about their veracity. Some may have been looted, others may be fakes, some may be heavily restored or misattributed. Often, in these cases, analytical science is called on to settle a dispute. Authors Andrew Shortland and Patrick Degryse share some insights from behind the scenes and talk about what their project entails.

Visualising Small Traumas is the first English-language book to deal with Portuguese contemporary comics, exploring how trauma studies can both shed light on the making of comics and be informed by that very same practice. “When we talk about ‘trauma’ in the humanities, we are referring to overwhelming experiences (war, abuse, terrorist attacks) that are accordingly depicted in breathtaking stories. But I'm afraid that discussing only that sort of situations leads to a narrow view of what trauma is,” states author Pedro Moura.

Using case studies of past and present translation policies in different parts of the world, Translation Policies in Legal and Institutional Settings effectively illustrates how a multidisciplinary perspective furthers our understanding of translation policies and unveils their intrinsic connection to issues such as multilingualism, linguistic justice, minority rights, and citizenship. In this Q&A, editors Marie Bourguignon, Bieke Nouws, and Heleen van Gerwen discuss the story behind the project and offer recommendations for those interested in the topic.

How do co-creative methods contribute to efforts to understand and facilitate integration processes of migrants in migrant societies? Co-creation in Migration Studies aims to analyse the use of co-creative methods in migrant research and policy making, to reflect on the conditions necessary to successfully implement these methods, and to offer new insights and recommendations for future research and policy making practices. Editor Lore Van Praag shares some insights from behind the scenes and talks about what this project entails.